Upon subdued backgrounds of ivory, sand, wheat, terra cotta, and pale rusts and browns, Hadji Jallili (Haji Jalili) masterfully designed vine-formed medallions and fluid arabesques in subtle tones such as rose and coffee. His unquestionable signature is the remarkably effectual use of a restrained palette of exquisite dyes, some in the very subtlest tones, wed with highly aesthetic, finely drawn patterns. Seldom does Hadji Jallili (Haji Jalili) work employ the predominance of deep red and blue tones that are characteristic of most classical style antique Persian carpets. Very finely detailed “Tree of Life” and “Garden of Paradise” Persian carpet patterns, replete with cypress trees, weeping willows, deer, peacocks and gazelle are also very occasionally seen. His creations are of two general antique carpet design types, either brilliant floral art carpets with opulent central medallions or meditative, highly decorative overall patterns with dense weaves up to 300 knots per square inch.
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Thus, it’s best antique rugs requisitioned the finest materials used by master dyers and weavers, coupled with the master’s genius and innovation as a Persian carpet designer. The workshop of Hadji Jallili (Haji Jalili) was extremely prominent and fulfilled many important commissions.
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He was also a student of Sufi philosophy, and his antique Persian carpets are known to have a deeply penetrating and contemplative impact on the viewer. Hadji Jallili (Haji Jalili) was known to be an unusually erudite gentleman, who was well versed in European and Romantic art, thus was influenced by Continental design as well as by the grand antique carpets of the “Golden Age of Persian Weaving.” The name of the master weaver, Hadji Jallili (Haji Jalili), lives on as perhaps the single most important creator of unique Court design antique carpets of the 19th century. Serving as the first seat of the royal Savafid workshops, Tabriz antique carpet designers may have brought the curved line used in Ottoman rugs to Persian weaving. With such auspicious beginnings, during the second half of the 19th century, three Persian rug weaver/designers – Kurban Dai, Sheik Safi, and most notably, the luminary Hadji Jallili (Haji Jalili)-were responsible for the reclamation of this celebrated past by reinventing a truly memorable Persian carpet production.
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The city of Tabriz has a noteworthy history, both as the Persian Market center most linked geographically to Europe and Western commerce, and as the source of the most venerated weaving: the inspired antique carpets of the Shah Abbas period during the 15th and 16th centuries.